Eliot Elisofon Photographic Archives National Museum of African Art Smithsonian Institution
The Eliot Elisofon Photographic Archives is a research and reference heart devoted to the drove, preservation and dissemination of visual materials that encourage and support the study of the arts, cultures and history of Africa. The archives collections incorporate approximately 500,000 items, including rare collections of glass plate negatives, lantern slides, stereographs, postcards, maps and engravings. The Elisofon Archives staff works with art historians, anthropologists, photographers, filmmakers and other specialists in acquiring and preserving these visual resources.
Eliot Elisofon was an internationally known photographer and filmmaker whose enduring visual record of African life from 1947 to 1972 was published in magazines such as Life and the National Geographic. Every bit a filmmaker, he worked on flick and television projects including the Black African Heritage Series (1972), a iv-function documentary on African arts and cultures. Elisofon'southward clan with the National Museum of African Art began as a founding trustee in 1964. Upon his death in 1973, Elisofon donated his African materials to the museum, including over 50,000 blackness-and-white negatives and photographs, 30,000 color slides, and 120,000 feet of motion flick movie and audio materials. The bequest became the foundation for the Eliot Elisofon Photographic Athenaeum.
In addition to the collection of Eliot Elisofon, major collections include over five,000 blackness-and-white photographs taken by Constance Stuart Larrabee in South Africa between 1936 and 1983, over ten,000 slides depicting Yoruba art and culture by Henry Drewal and Margaret Thompson Drewal, and a historical collection of over 13,000 postcards. Special collections include late 19th- and early 20th-century photographic albums with significant anthropological and historical research value.
The Stephen Grant Postcard Collection Digitization Project
Postcard Mass Digitization at Smithsonian's National Museum of African Art
The Eliot Elisofon Photographic Archives (EEPA), National Museum of African Art is pleased to announce The Stephen Grant Postcard Collection Digitization Project, a collaborative cataloguing and digitization project with the Smithsonian's Digitization Program Office (DPO). We anticipate making this collection fully accessible to the general public in late 2020 or early 2021.
Nerveless by donor Stephen Grant, this postcard collection consists of over 7500 historic postcards from Egypt, Côte d'Ivoire, Guinea and Senegal produced during the golden era of postcards, c. 1900 – 1920s. The collection features a range of subjects and provides testify of early on photographic processes and press techniques that immune the mass circulation of postcards inside and outside Africa. Many postcards carried stamps and hand-written messages sent to friends and family in Europe and the United states. Bearing the names of African photographers and studios long forgotten, these postcards accept become key visual resources in excavating the hidden histories of African photography.
The EEPA Historic Postcard Collection consists of over 20,000 postcards from every state and region of Africa. We continue to build this collection with the support of individual donors like Stephen Grant. If you are interested in donating your old postcards of Africa to the National Museum of African Art, please contact us at elisofonarchives.si.edu. Thank you for your back up!
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Admission to Photographic Athenaeum
Records of the collections of the Eliot Elisofon Photographic Archives are accessible online through the Collections Search Center.
Permissions to Reproduce
For high resolution digital images and permission to reproduce images in publications and exhibitions, please submit the "EEPA Photograph Request Form" (Below) with complete contact information hither
Prepayment is required on all photo services. Please let half dozen – 8 weeks for image delivery and permission agreement after payment has been received. Nosotros accept major credit cards (MC/VISA/AX) via PayPal with authorized invoice or checks made payable to the National Museum of African Art.
Fees for digital images and reproduction rights are included in the EEPA Price Canvas (BELOW) and will be invoiced within one-2 weeks upon receipt of EEPA Photograph Asking course. All requests are subject to museum approval, donor-imposed restrictions, Smithsonian polices and copyright laws.
Applicants may request a waiver or reduction of fees for reproduction of an epitome in a scholarly publication, defined as a publication that reproduces an paradigm for an educational purpose and is directed to an educational or professional audience with a limited print run not to exceed five,000 copies. The request for waiver or educational disbelieve should exist submitted in writing with the EEPA Photo Request Course. Approval is at the discretion of the National Museum of African Art.
Image files from the National Museum of African Art (NMAfA) of the Smithsonian Establishment (SI) are made bachelor for noncommercial, personal or educational apply simply. Please read the Rights and Reproductions policy here.
EEPA Photograph Request Form - External
EEPA Photo Request Form
EEPA Toll Sheet
EEPA Toll Canvas
Hours
Open by engagement only
Tuesday–Th, 10 a.m.–4 p.1000.
Contact information
Eliot Elisofon Photographic Archives
National Museum of African Art, Smithsonian InstitutionP.O. Box 37012 MRC 708
Washington, DC 20013-7012
202.633.4690
202.357.4879 (fax)
E-mail: elisofonarchives@si.edu
Location
National Museum of African Art950 Independence Avenue, SW
Washington, D.C. 20560
Pioneering Women Photographers in Africa, 1930s-1970s
Pioneering Women Photographers in Africa, 1930s-1970s
We are excited to announce a major project the Eliot Elisofon Photographic Archives, National Museum of African Art, is starting: In back up of the Smithsonian American Women'southward History Initiative, we volition be digitizing and describing 14 collections created past women photographers in Africa! All of the women photographers were trailblazers in their respective fields and professions – art, anthropology, compages, art history, geography, photojournalism, travel – and used photography equally a tool for documentation, ethnographic field research, or 'salvage photography' to produce fleeting glimpses of what were perceived as rapidly 'vanishing' cultures and means of life. These women exercised different cultural and social sensitivities when it came to photographing indigenous peoples in local and domestic settings.
Learn more than about the project at SI.com
New story! Part six: Pioneering Women Photographers in Africa:
Marli Shamir
1. Introduction
nearly Pretoria, Due south Africa, 1936
4. Marvin Breckinridge Patterson
Photo by Olivia Stokes Hatch, 1932
EEPA 1985-009-0050
half dozen. Marli Shamir
Highlights from the Eliot Elisofon Drove
Source: https://africa.si.edu/collection/eliot-elisofon-photographic-archives/
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